Tass Information Agency. Great Russian writers sing: nicknames, portraits, creativity Which famous one sings

Russian singer Ganna Andrievna Akhmatova (real nickname of Gorenko), a true representative of the creative intelligentsia, the squad of the famous poet Mikoli Gumilyov until 1918. After publishing his first works in 1912, Akhmatova became a cult figure among the intelligentsia and part of the literary scene of St. Petersburg. Another book, The Rosary (1914), was praised by critics who highly appreciated the merits of a well-informed, rigorously researched text, in contrast to the varied Symbolist style that dominated Russian literature period.

Ganna Azhmatova wrote so much of lyrical poetry, poignant love poetry, and the love of millions of people of different generations. However, her sharp focus on her creativity to the point of outrage led to conflict. There was an unspoken defense against Akhmatova's poetry from 1925 to 1940 for the Radian government. During this hour, Akhmatova devoted herself to literary criticism, complementing the translation of Pushkin with other words.

Changes in the political climate, it was decided, allowed Akhmatova to be admitted to the Writers' Union, but after another world war there was an official decree that blocked the publication of her poetry. His son, Lev, was arrested in 1949 and was in prison until 1956, in order to try to win his escape, Akhmatova writes verses that praise Stalin and the order, but it’s very important.

Although Akhmatova often stuck with the official opposition throughout her life, she was deeply loved and praised by the Russian people, often because she did not deprive her country of important political times. This is the greatest evidence of work, Requiem (which was not published in full circulation in Russia until 1987) and Poem without a hero, and a reaction to the fears of Stalin’s terror, during which time the artist suffered repression ї, and also a great expense for the individual. Akhmatova died in Leningrad, where she spent most of her life in 1966.

Now everything is clear, just like a generation, they marvel at the Omans, laugh at the foolishness of their ancestors, it’s not for nothing that this chronicle has been exhausted by heavenly fire, that the cry of a new writer’s skin, that from the straightening of a piercing finger on a new new, on the current generation; But he laughs like a generation and self-satisfied, proudly begins a series of new blessings, from which the land will also laugh. "Dead Souls"

In simple hearts there is a sense of the beauty and grandeur of nature that is stronger, more alive a hundred times than we have, the buried memories in words and on paper."Hero of our hour"

There is sound everywhere, and there is light everywhere,
There is one ear of corn for all the worlds,
And there is nothing in nature,
I wish the khans wouldn't die.

Ale meni inshi is not a butt,
My statute is simple and supreme.
My virsh is a pioneer boy,
Easily chilled, bare-legged.
1926

"On the Days"

"Zdukha Rus"

Mikhailo Andriyovich Osorgin (Ilyin) (1878 - 1942)
How wonderful / ... / How many funny and cheerful books there are, how many brilliant and sweet philosophical truths, but there is nothing more boring than Ecclesiastes.

"Poetry of the Word"

Russian literature is truly larger and grander. Dozens of cult novels are circulating both in Fatherland and in other countries. With great respect goes to the miracle of Russian poetry, which has absorbed all the best that was created in Europe. However, despite the obvious attack, Russian poetry has managed to create itself in a way that is borderline national. And, of course, among the many cult poets, these are the ones that are especially loved by readers and whose contribution to the development of Russian culture is important to re-evaluate.

One of the most prominent representatives of Russian history. Perhaps the most universal person in Russia, M.V. Lomonosov was still a miraculous poet, whose innovative developments in the sphere of performance influenced an entire generation of Russian poets of the 19th century. In essence, Lomonosov was the one who popularized the perfect creativity, making the poetic language simple and intelligent for the reader, thus giving it the right beauty, even until Lomonosov’s testimony in this area is at the forefront of Ro We will be rude and very reasonable.

Having carried out a truly titanic work from the development of the theory of Russian performance, Lomonosov became the master of urban poetry, a genre that after his research would be even more demanding among the popular poets. The middle of this creative genre is the cult ode to Empress Catherine the Great. This style and rhythm very well characterize all the poetic creativity of the genius - typical turns and grandiose pathos on the set of stanzas “Come, Russian love - Come, blessed heart...”.

And one notable historical fact is that Mikola I received Pushkin in the imperial palace and had a long conversation with him, saying: “I immediately became friends with the most intelligent people in the history of Russia.” This phrase of the emperor accurately characterizes Pushkin’s peculiarity - the harsh and sometimes empty character of the singer is in harmony with an even thinly weak mind, not guilty of any faults. The wisdom of Pushkin, whose ability to subtly mark details and even far away to describe the emotional impulses of the human soul has earned its right - even Pushkin is considered to be the “sun of Russian poetry.” These verses, inspired by Byron's style and romanticism, conveyed all the deep feelings - khannya, spivchuttya, mercy, patriotism.

The intense emphasis on the patriarchal nature of Russian tradition and culture was supported by the frivolity of secular balls, cheerful friendly roses and serious roses about the coming of the Great Patriotic War. Pushkin's great work, the pinnacle of his creativity - the novel at the top "Eugene Onegin" - is not for nothing called the "encyclopedia of Russian life." The style of poetry, whose strikingly strong harmony was tens of years before it became a sign of perfection, and, regardless of the great number of brilliant poets, only a few managed to come close to the creation of Pushkin.

One of the most tragic poets in Russia is Mikhailo Lermontov, who rightfully became Pushkin’s defender. Having become aware of the devastating verse of “The Death of a Poet”, which shows the painful and endless pain for the share of genius, Lermontov also continued the romantic tradition of Pushkin, embellishing it with gloomy tones. Lermontov showed his readers his spiritual metamorphoses, the seemingly extreme hopelessness and tragedy of creative singularity, the inability of adaptation to the world of the 19th century. Being nominally a romanticist, Lermontov’s creativity can already be guessed by those who will be inspired by the currents of the Siberian Age. Let us read “Mtsiri”, “Demon”, “Masquerade” and many vertices have a different plot, but they stick to similar motives, and love itself to freedom, try to escape from the world of nonsense and cynicism and, of course, the inevitability of fate, i.

The tragic pathos of Lermontov’s lyrics materializes in life, which was so quickly ended, and as he sings, he may even accurately convey the length of fate before the fatal duel at the top of “Dream”: “A familiar corpse lying near that valley; In his breasts, dimly, there was a black wound; And the blood flowed like a stream, it was cold.”

At Nekrasov’s funeral there were quite a lot of people, and from different camps. The great Russian writer F.M. spoke at one of the promos. Dostoevsky. She once said that Nekrasov stands on the same level as Pushkin and Lermontov. The story is about a man from the natovy who shouted that Nekrasov was the leader for them. It is true that Nekrasov’s devastation and great creations at the same time gave an unstoppable influx to Russian literature. Having taken from his two predecessors the theme of rurality and love to Batkivshchyna, the Russian village, Nekrasov expanded it with a civilized, sometimes infused with revolutionary pathos.

Regardless of those that Nekrasova was often called a truly aristocratic way of living, she still sings as a “folk”, living in the same reality with the villagers and the sick, transferring their seemingly thoughts onto the paper.
Moreover, many people forget one of Nekrasov’s main achievements – his editorial activity. Being a brilliant poet, Nekrasov also miraculously covered the magazines “Suchasnik” and “Vitchiznyani Notes”. After looking at the talent of such iconic writers as Tolstoy, Dostoevsky, Chernishevsky, etc. will be, having heard them in the heavens of Russian literature.

Tyutchev was one of those poets who contrasted rationalism and utilitarianism with the natural nature of mystery and emotion. Such poets were later called “poets of pure mysticism.” I Tyutchev was rightfully the leader of this movement. A look at and description of the spirit and “soundness” of superfluous nature, elements, and similar human feelings are the axis of the head and the main motives of Tyutchev’s lyrics.

The 20th century was marked by the emergence of new trends in Russian literature. In the future, all the smells took shape in one great era under the name “Sribny Age”. One of the leading figures of the era, the current symbolism itself, has become a prominent Russian singer

His creativity is a fine line between mysticism, which is eternal, alien on one side, and everyday, everyday on the other. Block searched for a lot of tips, so that you can understand the senses. Later, if the Bolshevik plague looms over Russia, Bloc’s pathos, directing into space and the unknown, will change the sickness to the destruction and awareness of the fact that change will inevitably lose the freedom that Blok and trying to find out. The creativity of the creative is a sitting by the Twnadsit - Dosі not to Kinzi Zrosumiliy Tweir, de in the Coxtile Coqueli Simal, the Korinnyam Yee in the єvangeli il Pokhmura atmosphere of Petrograd.

He sings like a nugget, at the beginning of his creative path he hopped on the fashionable imagist of that hour, Yesenin later became the leading figure of Novoselyansk poetry and behind the madness one of the most iconic figures in the history of Russia. Boundless love for Fatherland, its dense forests, deep lakes, descriptions of the patriarchal and spiritual atmosphere of a Russian village with a hut, a key element of Yesenin’s poetry - the axis of the foundation on which Yesenin’s creativity rests.

An insane innovator in the world of art, whose style, behind its external signs, predicts a rhythmic knock. In the middle of the lyric there is a loud voice about the share of Fatherlandism, which is great, which sounds like unbearable jealousy at a demonstration. Apart from anything else, Mayakovsky was truly a destructive lyricist, who, in contrast to his “gutty” poetry, was able to show deep love experiences.
It is also important to remember that Mayakovsky made his contribution to the development of children’s poetry, writing a number of poems for children.